Kablary

The music sounded like something out of an early-2000's Disney fireworks spectacular - it was great to see you tackle something that wasn't a super-hyper vocaloid track! That color crescendo from 2:00 to 2:40 was absolutley stunning and captured the emotion and power of the music beautifully. I've never played (watched?) Genshin Impact so I have zero frame of reference for the story, set or music, but I always enjoy seeing new pyro shows pop up! Thanks for helping keep the MixMaster alive, Anon!

Did you ever find this set? I recently stumbled upon this one but I'm unsure if it has the elements you're seeking.

Could you do me a massive favor and explain how one would pronounce your original username? I’ve wondered for years whenever I would see it pop up and I usually just stumble over all the syllables.

DOES THIS MEAN YOU'RE PLAYING AGAIN!??!?!??!!??

Unbelievably rad. First of all, fantastic production quality on that video. But none of that even touches the MASSIVE quality of work put into this park. It's everything I'd expect from an elaborate amusement adventure: rich, thematic detailing (not just 2D cutouts and silk flowers), densely-packed and interactive rides, and tremendous interconnectedness (not even sure that's a word). The storytelling from the Revolutions ride is outstanding! All those timed electrical bits are brilliant, and in combination with the music create sweeping excitement for the viewer (especially that big reveal after the electrical pylons). Every vignette featured is so well-done on this attraction...Disney wishes they could build something like this. Bullet Train was delightfully thrilling, and zipping in and out of all that scenery enhanced that experience so much more! I could feel the airtime on this. My favorite moment was feeling like I was going to crash into that precariously-dangled train car. War of the Worlds - there isn't a single dark ride shooter that comes close to this. Totally next-level, and the overlay of the original radio program during the ride adds such an intense and authentic sense of realism. Mad Science Laboratory was pure kooky fun, very reminiscient of The Haunted Mansion in its layout of scenes. I enjoyed the callbacks to Revolutions, like the anti-gravity gun! Very impressive how many animated/timed sequences you've been able to cram into these dark rides - and really it's not doing them enough justice to call them that. Every ride so far is a standout! Lunar Voyage reminds me of that one building in Deathloop where you have to fight tons of baddies throughout a space-themed multi-story lasertag attraction. While this ride seems to appeal to younger riders, the theming doesn't take a backseat at all! I particularly love how the track enters its own private room of the building - not only do you get to traverse over the crowds and rooftops below, but the ride is able to have its own unique section away from curious eyes. New riders never know what to expect! As a guy who loves all things spooky, having House of the Invisible Man to break up the otherwise-jolly lineup so far was awesome. Plus in the end, the "bad guy" get to have his cake and eat it, too! (Not sure why banks of the time kept such comically large jewels in their safes, but I digress...) Shock honestly felt all-too-short of a ride, but obviously this one is all about that electrifying (see what I did there?) launch sequence, and I suppose sometimes you need a quick ride (like the following Test Pilot coaster) to break up the epic ones so plentifully available. Still, you managed to stuff a decent number of inversions in a 1-minute coaster! Again, great interactivity here with the surrounding environment. Pig on the Wing was a really cute concept that was themed very well. It's just thrilling enough for teeny boppers who might otherwise be intimidated by the larger neighboring coasters, but not so scary that younger families can't enjoy it, too. I watched the entire video from start to finish (with some repeats for my favorite moments), and this blows everything else I've ever seen out of the water. I love that you started us out with the Revolutions attraction, as that was basically a foreword for the entire park. It's all very tangible - something akin to Tokyo DisneySea where the theming is RIDICULOUSLY epic (read: $$$) but not so outlandish or fantastical that it could only exist in a theme park sim. Your combination of Victorian-era Steampunk meets Atom/Dieselpunk is expertly laid out...there wasn't a naked corner in any attraction. And that lighting! Your colors were brighty and punchy where they needed to be, layering beautifully in many scenes, particularly in the larger darkrides. The omnipresent amber glow gave the entire station a nice gaslamp-lit ambiance that provided a beautiful backdrop for the hot pinks and cool blues. I'll repeat: production value is superb. Editing, sound effects, music...this was a film, not just a video of your park. I can see why this took 3 years. Frankly, I'm shocked it didn't take longer. Thank you so much for sharing this creation with us.

me me me me me

Holy guacamole, I’m finding it hard to believe a year has gone by. What a triumph ParkCrafters has become in such a short amount of time! Members joining every day, downloads skyrocketing, new projects hitting the game boards… it’s all just so wonderful! Congrats and thanks to everyone who has helped make ParkCrafters what it is today. I am stupidly excited to see how the Canvas Clash contest plays out - I might even have to join in myself!

Having seen your creations over on Discord, I was beginning to wonder if we'd ever see you post them here on ParkCrafters proper. I'm so glad you've joined the site! This part had me laughing - we've all gotten to that age bracket, haven't we? Don't be a ghost, we love to see new projects

I've been meaning to leave my thoughts on this show since it dropped on Friday morning, and I've finally gotten to sit down and watch the whole thing in one sweep. MAJOR MAJOR MAJOR improvement over your previous outings, Kris! Everything from choreo to colors to post-production is so wildly enhanced since your Desolation show last Fall. Fantastic work! I'll echo what others have said: your syncronization is wickedly sharp. I really enjoyed how actively your engaged that central tower - it wasn't just there for show; it served a purpose and was engaged quite well, especially towards the end of the show. Happy Autism Awareness & Acceptance Month

Ok Mr. Bookworm sir! This is looking stupidly pretty, but I do have some notes for ya: Those colors play well together, but you have SO MUCH opportunity to really mix it up here. Vary the shades of blue among the lasers behind the towers - maybe a lighter blue in the middle that gets darker or deeper as they proceed outward. You can do the same with the purples and pinks - dark to light. Or introduce a new color altogether! Perhaps a sage green? I think we often get stuck in a mindset of "this color combo works well every time for this trope" and just jump right to that. Not saying that's your design process, but a LOT of shows of the past stick to it. Fire for love/anger/power, etc. Break the mold!

I would totally buy this as a coffee table prop/set if it existed. Super well-done, especially the coloring of the rocks! The subtle gradient from faded rock to vivid coloring where it would be saturated by the geysers is a wonderful touch of realism that would have been overlooked by a lot of other builders.

Holy WOW....and I mean holy W O W These PDFs are immaculate! To think that there are still massive volumes of information coming to the "Editing OVL Files" pages is incredible. Thank you so much for putting all of this together, Roberta. It's super fun to see the guts of some of the game mechanics laid out like this